RWAus

The national conference of the Romance Writers of Australia took place on the sunny, sparkling Gold Coast on the 16-19th August. It was a jam packed four days with special international guests NYT bestseller ELOISA JAMES, multi-published novelist and screenwriter ALEXANDRA SOKOLOFF, HELEN BREITWEISER (Cornerstone Literary Mgt), MONIQUE PATTERSON (St Martins Press), and JOANNE GRANT & BIRGIT TODD-DAVIS (Harlequin).

Eloisa James wowed everyone with her candid and insipiring keynote which opened with ‘I write for money’. But she went on to qualify that, talking about how many different ways (and despite her many, many accomplishments) she had been made to feel shame for writing romance instead of ‘real’ books. She ended the key note urging us to tell people we write for the money if it helps us to manage the shame we’re made to feel, but to know—in our hearts—that it is the joy of writing romance that will ultimately overcome the negative feelings that go with our chosen profession. Feel the joy, embrace the joy. Let go of everything else.

Alexandra Sokoloff was massively popular, both in terms of her all-day workshop about fiction writing and screen writing but also for her contribution on various industry panels. It wasn’t hard to see how she has become so successful as a fiction writer, screenwriter, self-publisher and businesswoman—she worked like a Trojan, was generous with her knowledge and experience (and her time) and was fantastic with media. Totally fearless!

Joanne and Birgit did a session on Harlequin’s coming So You Think You Can Write contest (which launches in a fortnight) and how it’s all going to work. The biggest news? It’s open to published as well as unpublished from most English speaking nations. “We’re keeping it simple,” Birgit Todd-Davis said “because the definition of ‘published’ is so blurry now.”

We ran two ‘speed dating’ panel sessions with Australian publishers and asked them ‘why should we come on a speed date with you?’  The responses were hilarious but frank and we all got the sense how much the Australian industry (and the power) is shifting. They wooed us. They had to pitch us for our business.  How refreshing! Three new digital-first lines are now up and running in Australia (Pan MacMillan’s ‘Momentum’, Harlequin Australia’s ‘Harlequin Escape’ and Penguin Australia’s ‘Destiny’ line) and they’re hungry for content and looking for new and diverse voices and stories. And senior editor for Momentum, Joel Naoum, was thrilled to have his first twitter hashtag named for him (#WeHeartJoel) after he successfully flirted with an entire ballroom of women during his speed date.

 

 

This year we partnered again with the Australian Romance Readers Association to conduct a huge booksigning event  (image courtesy Elle Fynllay. A fantastic chance to connect with new readers (or re-connect with existing). And, yeah, that’s Alex Sokoloff stretched out in the front like a champion.

 

 

 

 

 

 

 

The beautiful and gracious Helen Bianchin was awarded the inaugural RWA Hall of Fame award for her many, many years of fabulous books and characters. And recent RITA winner Fiona Lowe also took a RUBY for her Carina Press book ‘Boomerang Bride’ alongside ROBYN GRADY (The Fearless Maverick), BARBARA HANNAY (Molly Cooper’s Dream Date), and HELENE YOUNG (Shattered Sky).

 

 

 

 

We were delighted to have Google amongst our sponsors and they helped us to carry out a live ‘Historical Hangout’ with Eloisa James, Anne Gracie and Christina Brooke…

as well as bringing a pre-recorded ‘Rural Romance’ hangout to our delegates and to everyone via YouTube  There was a lot of interest in Google’s ability to actually generate real conversations between authors and fans using their free Hangout tool which let you have smaller ‘private’ hangouts or larger public ‘hangout on air’ and the ease with which either one can then be uploaded to YouTube for public consumption.

The other noticeable trend this year was the increased talk about self-publishing, led by a special panel discussion in the published author forum which looked at how the already-published can leverage their profile to help with self-publishing sales, how to work a backlist and how to diversify your ‘product’ to maximise income stream.

A few useful conference takeaways for me and, not surprisingly, mostly related to social media which I still struggle to find a happy place with:

  • Stay off review sites. They’re. Not. For. You.
  • Social media – do less better.
  • When you blog, blog about what makes you unique as a woman. Being a woman is the only thing you can guarantee having in common with your readers.

 

I also favourited all my tweets from the conference on my twitter profile – http://twitter.com/readnikkilogan/favorites There are some real pearls of wisdom there. And the conference hashtag was #RWAus12 if you want to scroll back through for other wisdom bites.

 

So thanks very much Gold Coast and Romance Writers of Australia. See you in Western Australia next year!

This time of year is awards season, and Harlequin Romance has made a great showing in several contests.

Congratulations to Barbara Wallace, who won the NECRWA Beanpot Award for THE HEART OF A HERO!

Three cheers for Fiona Harper, who is a double finalist in the Golden Quill Awards with MILLIONAIRE’S BABY BOMBSHELL and SWEPT OFF HER STILETTOS!

Donna Alward’s HOW A COWBOY STOLE HER HEART won the Short Contemporary Category of the Colorado Award of Excellence. Her book, A FAMILY FOR THE RUGGED RANCHER, was also a finalist.

Romance Writers of Australia announced the finalists for the R*BY Award (Romantic Book of the Year) and in the Short Sweet category, Romance author Marion Lennox finalled with ABBY AND THE BACHELOR COP and Barbara Hannay finalled with MOLLY COOPER’S DREAM DATE. Way to go! The winners will be announced at the RWAus conference later this summer.

The National Reader’s Choice Award finalists were announced, and HOW A COWBOY STOLE HER HEART (Donna Alward) is shortlisted for Contemporary Series. The awards are handed out at RWA Nationals in Anaheim this July.

And the Booksellers’ Best Award nominees are listed and congrats to Jessica Hart for THE SECRET PRINCESS and Donna Alward for HOW A COWBOY STOLE HER HEART – both books got the nod in the Traditional category. This award is also handed out at RWA Nationals.

So what do you think? Should we pop the champagne or what?

 

We’ve all seen the devastation the recent Queensland floods have wrought and have wondered how we can help. We know that for many affected families, books will not be high on their priorities list for some time to come.

But…

We also know how valuable books can be in providing time out when reality gets tough.

So…

With the aid of some wonderful volunteers, we’ve put together a Romance Writers of Australia Flooded Communities Book Appeal.

What we need?

FICTION BOOKS! Romance books, children’s books, young adult books, genre books, whatever – either new or in sparkling condition.

Please send them to:

RWA Flooded Communities Book Appeal
PO Box 1717
Noosaville Post Office
Noosaville BC
Queensland 4566

When to send them?

Now! And any time over the next few months. The books will be boxed and delivered to the appropriate libraries/schools/neighbourhood centres/community centres in batches as soon as the communities are ready to receive them. We’ll be liaising with councils, libraries and schools to ensure this is done appropriately. Feel free to pop a note inside, or if you’re an author, sign it.

All languages welcome – please repost.

Romance author Nikki Logan gives us the low-down on the conference Down-Under!

Romance Writers of Australia celebrated their 19th annual conference at Coogee Beach, Sydney, over the weekend of 13-15 August.

Like the US, conference is a big date on the Australian calendar and anticipation starts building from new year. So the first day of conference was thrumming with energy.

I’ve cherry-picked a few of my favourite workshops to highlight.

Well known Australian radio/television presenter, standup comedian and now author, Wendy Harmer, gave an inspiring presentation for the published author group about writing romance/rom elements within Australia’s east-coast literature scene in which her work has been simultaneously derided and applauded and the extra scrutiny of her as a popular, public figure. Funny, fast-paced and entirely irreverent.

Wendy was preceeded by Dr John Barletta, an amazing and engaging psych professional who analysed the state we all aim for with our writing. We call it being in ‘the zone’ but in psych terms it’s called ‘flow’ – that place on an aptitude continuum where skill and challenge and engagement hover in perfect harmonic suspension and allow us to fully immerse in our work and be uber-productive. The good news? You can
train yourself to get there.

The screenwriter of Australia’s massively successful television drama series ‘UnderBelly’ chatted to us about her scriptwriting process but more particularly about the challenges of fictionalising ‘true crime’ – not the least managing the expectations of research subjects who come from Australias leading violent crime families.

Debora Dixon held a full house of pubb’d and unpubbd writers enthraled with all things GMC with a Heroes Journey chaser. Deb is a fantastic presenter and her talk was informal and comfortable.

Vicky Lewis-Thompson spoke on the virtues of ‘feeling fear but doing it anyway’ and forcing yourself out of your comfortzone with an hilarious range of OMG bad-dream moments in publishing. It was a wonderful equaliser for everyone in the room who’d ever said something dopey in a lift or walked into a pitch session with their dress bundled into their knickers.

We enjoyed a ten strong panel of US and Australian publishing reps and agents and compared their opinions of the status of the international industry, then split down into individual workshops.

I’m always a particular fan of specialist sessions at conference – where you can see and hear things that you normally wouldn’t have access to. One of my favourite sessions was by a forensic specialist from the New South Wales’ coroner’s office; while graphic, it was very honest and open and took participants through some of the most familiar and shocking parts of being a coroner.

Right afterwards we had a fantastic session by a weapons and defence specialist and his team of ‘meat-men’ who came along to teach us everthing we wanted to know about staging fight-scenes. He showed us how you can make a weapon from nothing, what kinds of blades work best for different situations, how to strangle, buckle, take down an assailant. Amazingly eye-opening (I may never go outside again) but wonderful for our stories.

Every year RWAus runs a charity fundraiser lunch on the final day of conference. This year it was a Silver theme for ovarian cancer. 250 women (and one man) managed to raise over $10,000 for development of an early detection system for Ovarian Cancer thanks to an amazing $5K donation from Harlequin Australia.

All in all a fabulous conference with a high level of new participants. RWAus conferences just go from strength to strength. All speakers acknowledged the very high level of support, comraderie and positivity at Australian conference and this year was no exception.

Roll on 2011…

And a big congrats from the PHS to all the R*BY award winners:

Short Sweet:
Sharon Archer ‘Marriage Reunited: Baby On The Way’

Short Sexy:
Amy Andrews ‘A Doctor, A Nurse: A Christmas Baby’

Long Romance:
Sophia James ‘Mistletoe Magic’

Romantic Elements:
Tracey O’Hara ‘Night’s Cold Kiss’

*this post appeared on the Pink Heart Society on Aug. 18

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